Dating by james auger and jimmy loizeau 2006

dating by james auger and jimmy loizeau

James Auger (British, born ) and Jimmy Loizeau (British, born ) Design Epoxy resin, aluminum, and polyurethane, dimensions variable Wi in a range of domestic and social contexts: dating and genetic compatibility. Dating by james auger and jimmy loizeau Kimmel and silverman dating, aphorismen zur lebensweisheit online dating, roma fiction festival gabriel. Print Date: 02/11/ PM . Model. James King (British, born ) . Design Interactions Department (est. ),. Royal College of .. Models. ongoing. James Auger (British, born ). Jimmy Loizeau (British, born ).

Could they play a meaningful and valuable part in our personal relationships? Could they dissect our domestic life into a pile of data ready for interpretation?

Dating by james auger and jimmy loizeau 2006

Would their presence in our homes add a beneficial dimension to our intimate experiences? Their Real Prediction Machine RPM is inspired by the work of Dr Subramanian Ramamoorthy whose research focuses on the development of algorithms to predict when a professional athlete might become susceptible to injury through over-training.

The Real Prediction Machines uses both big and small data combined with predictive modelling to make predictions about specific future events. Except that instead of applying the technology to customer relationship management, car insurance, health care, this domestic product shifts the focus of its analysis onto more emotive or private concerns.

The Real Prediction Machines then reviews all this data to provide feedback through the rotating disc. The data was then fed into a common algorithm that analyzes emotional regulation activity.

The result is a glimpse of a probable scenario, in which Facebook directly derives financial bonds from our emotional investment in social media. KISSE. KISS explores the possibility to translate the emotion and intimacy of a kiss into bio-feedback data. In the opening night, couples were invited to put on headsets that use electroencephalography, or EEG, to detect the electrical activity inside their brain.

KISS Portrait can be printed and each kiss-soundscape can be shared from the website database. Some people found it extremely poetical and romantic. Until i tried it. As you turn the thick pages of the book, you encounter a different pattern along with a different soundtrack.

I turned and turned the pages, each time trying to think about the possible connections between the colours and patterns printed on the pages and the sound they emitted.

Open Fields. Big and small data reinvented by flies, weeds and kisses – We Make Money Not Art

The device uses simple light sources and optical elements to create its own audiovisual performances. The object works autonomously, controlled by an algorithm with many accidental events tied to feedback, with sensors defining the position of various mechanical elements in relation to the range of their movement.

The sound part has up to 4 voices which depend on the activity of various elements. By targeted deletion of the Kv 1. Their smell was enhanced by anything from - times in sensitivity. Humans have the same gene so the hypothetical question was could we enhance our own sense of smell in the same way. There is also a large amount of contemporary research being done on digital noses - technology that can record, store and emit smells.

The potential for products with olfactory capabilities is obviously huge. Methodology The aim of the project is apply contemporary scientific research and by utilising the medium of design, develop new consumer experiences and services.

Scientific knowledge can struggle to break free from the confines of academia; communicating findings to a wider public audience and generating discussions as to what kind of society their technologies could potentially facilitate. Design has the potential to bridge the gap between scientific knowledge and user public understanding.

The language of products and their behaviour is universal. The utilitarian aspect of design offers a space where technology can meet its public audience. This space can be speculative, a testing ground for ideas and possibilities, utopias and dystopias or pragmatic, offering real opportunities for new human experiences. Design proposal The first issue was to identify the potential problems and issues posed by the sense of smell.

Predominantly due to its animalistic nature and our lack of control over its application. To this end smells have been separated into two categories: Smells emanating from the body smell output 2. Sealed pouches encapsulate the apocrine glands scent glands containing pheromones preventing oxidation which creates unpleasant body odours and channeling smells to the chest mounted control unit.

Open Fields. Big and small data reinvented by flies, weeds and kisses

All input smells also arrive here allowing the wearer to have the choice of which smell to concentrate on. The suit functions on several levels: Psychologically it sanitises the act of smelling.

The chest mounted control unit separates the smell reception from its source, effectively isolating the olfactory from the visual. It offers physical control over both smell input and output. Its operation allows it to be utilised in various contexts facilitating new smell-based experiences.

Its visual form allows it to act as a messenger for the project, communicating the concept through more normative media. Hypothetically artificial scents could be created to calibrate the olfactory experience in the same way that tuning forks calibrate the auditory and pantone charts are used with colour. Current status The smell suit prototype has been built to a semi-functional level. This has so far been used for photographic scenario generation on a continuing basis: Addressing the loss of personal identity through use of deodorants and a necessary preliminary process for the smell blind date.

The smell blind date or the apocrine gland transfer system.